<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Transient Designer Tips &amp; Tricks</title>
	<atom:link href="http://www.cordernotes.com/blog/techniques/transient-designer-tips-tricks/feed" rel="self" type="application/rss+xml" />
	<link>http://www.cordernotes.com/blog/blog/transient-designer-tips-tricks</link>
	<description>thoughts regarding art, music, and technology</description>
	<lastBuildDate>Thu, 02 Feb 2012 13:54:26 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
		<item>
		<title>By: Henré Botha</title>
		<link>http://www.cordernotes.com/blog/blog/transient-designer-tips-tricks/comment-page-1#comment-20736</link>
		<dc:creator>Henré Botha</dc:creator>
		<pubDate>Sat, 05 Mar 2011 21:49:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.cordernotes.com/blog/?p=410#comment-20736</guid>
		<description>Oh man... I HAVE to get myself one of these. Maybe I&#039;ll DIY it... :)

It occurs to me that the TD would also be great for &#039;improving&#039; an instrument&#039;s sound. To give an example, I did a rock recording a few months ago with a drummer whose cymbals were severely cracked, and therefore heavily lacking in the sustain department. While compression and EQ can do a lot to smooth and stretch out a dull, &#039;broken&#039; instrument like that, I imagine the TD would be worlds better simply because it&#039;s not level-dependant (as compression is), and therefore improves the sound whether the instrument is played gently or slammed to death, giving the perception of a &#039;better&#039; instrument.</description>
		<content:encoded><![CDATA[<p>Oh man&#8230; I HAVE to get myself one of these. Maybe I&#8217;ll DIY it&#8230; <img src='http://www.cordernotes.com/blog/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p>It occurs to me that the TD would also be great for &#8216;improving&#8217; an instrument&#8217;s sound. To give an example, I did a rock recording a few months ago with a drummer whose cymbals were severely cracked, and therefore heavily lacking in the sustain department. While compression and EQ can do a lot to smooth and stretch out a dull, &#8216;broken&#8217; instrument like that, I imagine the TD would be worlds better simply because it&#8217;s not level-dependant (as compression is), and therefore improves the sound whether the instrument is played gently or slammed to death, giving the perception of a &#8216;better&#8217; instrument.</p>
]]></content:encoded>
	</item>
</channel>
</rss>

