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	<title>cordernotes &#187; Stage Layout</title>
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	<link>http://www.cordernotes.com/blog</link>
	<description>thoughts regarding art, music, and technology</description>
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		<title>Organization Plan</title>
		<link>http://www.cordernotes.com/blog/blog/organization-plan</link>
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		<pubDate>Sun, 15 Apr 2007 19:52:39 +0000</pubDate>
		<dc:creator>timcorder</dc:creator>
				<category><![CDATA[blog]]></category>
		<category><![CDATA[Stage Layout]]></category>

		<guid isPermaLink="false">http://www.cordernotes.com/blog/?p=38</guid>
		<description><![CDATA[<p>Posted in <a href="http://www.cordernotes.com/blog/category/blog" title="blog">blog</a><a href="http://www.cordernotes.com/blog/category/stage-layout" title="Stage Layout">Stage Layout</a></p>Step one to having a cleaner, better organized audio system is a plan. Here&#8217;s what I&#8217;m going to implement this week&#8230; audio-storage-organization-plan.pdf]]></description>
			<content:encoded><![CDATA[<p>Posted in <a href="http://www.cordernotes.com/blog/category/blog" title="blog">blog</a><a href="http://www.cordernotes.com/blog/category/stage-layout" title="Stage Layout">Stage Layout</a></p><p>Step one to having a cleaner, better organized audio system is a plan.  Here&#8217;s what I&#8217;m going to implement this week&#8230;</p>
<p><a href='http://kccholler.files.wordpress.com/2007/04/audio-storage-organization-plan.pdf' title='audio-storage-organization-plan.pdf'>audio-storage-organization-plan.pdf</a></p>
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		<title>Zoning the Stage</title>
		<link>http://www.cordernotes.com/blog/blog/zoning-the-stage</link>
		<comments>http://www.cordernotes.com/blog/blog/zoning-the-stage#comments</comments>
		<pubDate>Wed, 28 Feb 2007 17:33:39 +0000</pubDate>
		<dc:creator>timcorder</dc:creator>
				<category><![CDATA[blog]]></category>
		<category><![CDATA[Stage Layout]]></category>

		<guid isPermaLink="false">http://www.cordernotes.com/blog/?p=20</guid>
		<description><![CDATA[<p>Posted in <a href="http://www.cordernotes.com/blog/category/blog" title="blog">blog</a><a href="http://www.cordernotes.com/blog/category/stage-layout" title="Stage Layout">Stage Layout</a></p>For the past 10 years or so, there has been a gradual shift in snake system designs and layouts with the advent of stage zoning. Most concert snakes currently in use offer a snake “head” with anywhere from 40 to 60 channels as well as monitor and front of house (FOH) trunks. Runs are typically [...]]]></description>
			<content:encoded><![CDATA[<p>Posted in <a href="http://www.cordernotes.com/blog/category/blog" title="blog">blog</a><a href="http://www.cordernotes.com/blog/category/stage-layout" title="Stage Layout">Stage Layout</a></p><p><img src="http://www.prosoundweb.com/lsi/connect/3.jpg" /><br />
For the past 10 years or so, there has been a gradual shift in snake system designs and layouts with the advent of stage zoning. Most concert snakes currently in use offer a snake “head” with anywhere from 40 to 60 channels as well as monitor and front of house (FOH) trunks.</p>
<p>Runs are typically 50 feet to the monitor desk and 200 to 300 feet to FOH. Cable trunks are for the most part connected to the stage head using a quick-disconnect multi-pin, with the same at the XLR fan-out.</p>
<p>But snake systems have evolved, with stages divided into a series of zones that are connected to the snake head via sub-snakes and multi-pin connectors. For instance, one zone may be for keyboards, one may be at the drum kit, one for the back-line ‘stage left’ and the other back-line ‘stage right’.</p>
<p>An interesting example of this was the recent Celine Dion world tour: Montreal sound company Solotech took zoning a huge step further by providing individual snakes and multipin connectors to each musician’s rack.</p>
<p>This included a sub-snake for each guitarist, bass player, keyboards; in fact, dozens of sub-snakes routed throughout the stage.</p>
<p>Sound extreme? It may be impractical for regional touring, where specific systems cannot be configured for a particular band, but the advantages of zoning the stage are many. Intricate stage set-ups can be done in half the time.</p>
<p>Sub-snake configurations typically vary between six and 20 channels, with the most popular number being 12 channels. This is mostly due to the fact that 37-pin multi-connectors are widely available (XLR 3 pins x 12 = 36, plus one spare), as is 12-channel snake cable (also used in 8 by 4 snakes). Because most snakes tend to be 48 to 52 channels, 12 channels makes dividing the stage into four zones relatively easy.</p>
<p>Implementing sub-snakes is going to be a priority for me in cleaning up our stage and making setup simpler and more organized.</p>
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