Archive for Plug-Ins
TL Space & Echoboy
Two plug-ins that are rocking my world these days.
Trillium Labs’ TL Space is the first TDM convolution reverb for Venue! This innovative convolution TDM reverb plug-in reproduces natural rooms and classic reverbs from the largest concert hall to the densest plate reverb. TL Space delivers the pristine sound of natural reverb spaces with the familiar controls used in high end hardware reverb units. By combining the sampled acoustics of real reverb spaces with advanced DSP algorithms, TL Space offers stunning realism with full control of reverb parameters in mono, stereo and surround formats.
TL Space includes a comprehensive library of high quality sampled reverb spaces and effects ideal for music and post applications. In addition, TL Space can easily import existing impulse responses in common convolution formats.
This delay came highly recommended from a few friends. Really good stuff here!
Find an echo tone that fits your mix by choosing one of the 30 built-in echo styles modeled after a personal collection of vintage echos. One of the favorites is the warm sound of “Studio Tape”, modeled after a ATR-102 half-inch two-track machine. You’ll also get instant access to a whole range of classics, including EchoPlex, Space Echo, Memory Man, DM-2, and the TelRay oilcan delay. EchoBoy’s chorus even emulates the CE-2 chorus, considered a holy-grail of guitar chorus pedals. And yes, turn it up! EchoBoy is designed to be abused, just like real analog gear
No math needed to figure out delay times! Just dial in a musical note value and lock it to your song’s tempo with the flip of a switch. Fine-tune the echo rhythm with the Groove, Accent, and Feel controls.
Even though EchoBoy is easy to use, it’s also incredibly versatile. Switch to Dual Echo or Ping-Pong modes for powerful stereo echo effects. Or use Rhythm mode’s remarkably easy-to-use 16-tap rhythmic delay. Under the Style Tweak button you’ll find a 3-band parametric EQ with separate control over echo decay and tone. Choose the amount and type of analog saturation, dial in the amount of tape wobble, and even reverb-style diffusion control. There’s nothing anywhere that gives you this sort of control.

