Youtube: Audio Myths Workshop

Posted by: timcorder on March 8, 2010

This is a video version of a workshop from the October 2009 AES show in New York City called Audio Myths workshop by Ethan Winer. In this video you will hear what phase shift sounds like, compare high- and low-end converters, learn about proper test methods, understand why hearing is not as reliable as test gear, and much more. So set aside an hour when you won’t be disturbed, and enjoy.

The original high quality example Wave files mentioned can be downloaded from Ethan’s web site: http://www.ethanwiner.com/aes



Mixing Techniques for John Mayer

Posted by: timcorder on March 1, 2010

Continuing the video blog Mondays format of the past few weeks, here’s another cool gem of Manny Marroquin outlining mix thoughts from John Mayer’s tune “I Don’t Trust Myself”. There’s good insight here.



Chris Lord-Alge

Posted by: timcorder on February 22, 2010

It is no secret I enjoy reading about and learning from some of the masters of the craft of mixing.  One name who is certainly no stranger to a list of the best is Chris Lord-Alge.  I recently ran across this video on Youtube that is pretty cool to check out.  One of my favorite records of 2009 was by Dave Matthews Band.  This video was shot as they were printing the final mix of the title track.



Interesting…

Posted by: timcorder on February 15, 2010

I’m always excited to see more advancement of technology in live sound.  Check out this video for more info on Waves new system that brings plug-ins to any digital desk.  Certainly will be interesting to see how this plays out knowing the new offerings from some major console players that should be coming to market this year!



Books Update

Posted by: timcorder on February 4, 2010

I’ve recently been through two music history-type books that are worth the read. There is so much to learn studying the work of engineers who have achieved greatness in our industry.

IN THE STUDIO WITH MICHAEL JACKSON by Bruce Swedien

No one was closer to Michael Jackson at the height of his creative powers than Bruce Swedien, the five-time Grammy winner who, with Jackson and producer Quincy Jones, formed the trio responsible for the sound of Jackson’s records – records that topped the charts and shook the world. Friend, co-creator, and colleague, Bruce Swedien was a seasoned recording engineer-plucked from a job at legendary Universal Audio in Chicago – when he began working with Michael Jackson and Quincy Jones on the soundtrack to The Wiz, and he was the master technician who gave the records their sound as the trio progressed to Jackson’s greatest triumphs, Off the Wall and the iconic, history-making Thriller, which revolutionized music and video and fixed Jackson in culture as the King of Pop. In the Studio with Michael Jackson is the chronicle of those times, when everything was about the music, the magic, and the amazing talent of a man who changed the face of pop music – and culture – forever. In his laid-back style, Bruce Swedien offers anecdotes about being part of Quincy Jones’ extended “family” and reveals the technical details of creating Michael Jackson’s biggest-selling albums, as well as Bad, Dangerous, and HIStory. Including over 100 photos, In the Studio with Michael Jackson provides an insider’s look that will thrill anyone interested in the nuts and bolts of hit making and the history of some of America’s most influential music.

HOW DOES IT SOUND NOW? LEGENDARY ENGINEERS & VINTAGE GEAR by Gary Gottlieb

Chet Atkins was playing his guitar when a woman approached him. She said, “That guitar sounds beautiful.” Chet immediately quit playing. Staring her in the eyes, he asked, “How does it sound now?” The quality of the sound in Chet’s case clearly rested with the player, not the instrument, and the quality of our product ultimately lies with us as engineers and producers, not with the gear we use. How Does It Sound Now? Legendary Engineers and Vintage Gear contains insightful interviews with 31 of the most famous audio engineers of all time on how they utilized (and in some cases invented) classic analog recording hardware to make some of the highest quality recordings of all time. Each interview provides a walkthrough of audio and music history as you learn how some of your favorite recordings came to be made. But the interviews don’t only reveal what gear was used and why. Throughout the discussions, each interviewee brings up how creating quality recordings was and always will be the ultimate goal of the engineer. And of course, a big reason why each of these legendary engineers was so successful was that their standards for quality were so high. The interviews are loaded with advice and insight on how recording is an art form and how one might go about becoming a master.

Filed Under: Mixing